I'm getting on my soapbox (Sorry, I've been away a while)

I listen to a lot of Doctor Who podcasts. I follow a lot of Doctor Who fans on Twitter. I've even started reading quite a few blogs of folk who like Doctor Who. For the most part, the people I choose to follow and read either agree with me a lot, or where we disagree, the difference in opinions is polite and well thought out.

Somehow, though, I still seem to get exposed to a lot of negativity. Particularly negativity regarding Steven Moffat. Much of it is second or third hand, but it's definitely out there.

He's ruining the show. He's not focused enough on it. He writes women badly. He uses puerile humour. He's a one trick pony. Blah blah blah.

Well nobody is perfect.

I adore Steven Moffat's work on Doctor Who.

I started watching the show in late 2008 after discovering Torchwood and wanting more of Captain Jack Harkness. forever_bright brought around her box sets and the very first episode I watched of Doctor Who was The Empty Child/The Doctor Dances. I was hooked. I mainlined all four seasons over the next 6 months. At the time I wasn't actually aware of who Steven Moffat was. But by pure coincidence, each and every season my very favourite stories were the ones he wrote, something I didn't realise for a long time.

Then I found out that he was taking over the show. Who was this guy? I was worried about the loss of Tennant, but when I researched Steven Moffat I was stunned. I loved every single one of his stories. At least I could trust the writer. Somewhere around this point I picked up the first season of Sherlock, purely on the strength of the sticker on the front that said 'created by Steven Moffat and Mark Gatiss'. Again, hooked in an instant.

And then The Eleventh Hour hit and I swept up in the madness and pure brilliance of the Elventh Doctor and genius fairytale adventure that Steven Moffat was taking us on.

In my opinion, of all the Doctor Who episodes Steven Moffat has written, only The Beast Below and The Doctor, The Widow and The Wardrobe don't absolutely shine in my memory. I still enjoy them both, though.

But let's look at a wider audience, yeah?

The Hugo Awards have a category for Best Dramatic Presentation Short Form. Since the 2006 awards (which covered work produced in 2005), out of 8 awards given in this category, Doctor Who won 6 times. Of those 6 wins, 4 were awarded to Steven Moffat penned stories (The Empty Child/The Doctor Dances, The Girl In The Fireplace, Blink, The Big Bang/The Pandorica Opens). Only once in that time was Steven Moffat not nominated for Doctor Who, being the 2010 awards as he did not write any of the 2009 specials.

In 2013 Steven Moffat episodes came 2nd, 3rd and 4th respectively to Game of Thrones: Blackwater. In 2012 A Good Man Goes To War came 3rd behind 2 other Doctor Who episodes. In 2009 The Silence in the Library/Forest of the Dead came 2nd to Doctor Horrible's Singalong Blog.

This year, I have no doubt that Moffat will be on the ballot again. I'll certainly be nominating. Along with a couple of thousand other hard core SF/F fans. After all, you have to be a paid up member of WorldCon to vote. It's not just a random online poll.

Steven Moffat created the alien that freaks me out - The Weeping Angels - and makes the ordinary scary.

Steven Moffat gave me River Song - a woman Who could go toe to toe with the Doctor and win the argument.

Steven Moffat isn't afraid to play with time, something that a show about a time travelling alien seems to have done rarely in the past.

Steven Moffat does the unexpected, making me shriek in surpise.

Steven Moffat writes memorable, quotable dialogue that I use in every day life.

Steven Moffat creates mysteries that make my brain hurt, but seeds the clues so that it makes sense in the end (to me, anyway).

Steven Moffat gave me MY Doctor.

Steven Moffat has made me laugh.

Steven Moffat has made me cry.

Steven Moffat has given me Doctor Who that I will watch over and over and love to pieces.

If you don't like it, that's fine. But there are a lot of us out here that love it. Please don't taint that with mindless, nasty bile.

The Green Death

Encouraged by an essay in a certain book that I will review soon, I have turned my attention to Season 10 of the classic series again (well I did enjoy The Three Doctors). A few weeks ago I watched the final episode of that season, The Green Death.

And yes, I did think more of it than 'ew maggots'. Although there was much 'ew maggots' going on.

I love Jo Grant. I really, really do. The impression I got from listening to fandom was that she was a blonde ditz in inappropriate clothing. She is so much more than that (and I want her shoes!). I have now seen Jo in two Doctor Who stories and one Sarah Jane Adventures story and the strongest impression I get from her is passion. Give her a cause and she will fight for it with everything that she has. When she believes in something, she is tenacious and will even disobey the Doctor.

Jo Grant also does not like being treated like she is stupid. She's not stupid. She's just not a scientist. In The Green Death, she offers her help in going to down the mine, stating that she has first aid training that might be needed. When the Professor is ignoring her in the lab, she takes herself off to trap a maggot for him to study. Yes, it ultimately doesn't work out, but that was because the Brigadier called in an air strike, not because she wasn't capable. I really liked Jo in this story.

The other main thing I noted about The Green Death, is how relevant it is to what is here and now, in the twenty-first century. There is renewable energy (the nuthutch runs on water and wind power), environmental issues (the whole point of the story is that Global Chemicals is pumping it's waste into the old mine shaft and causing disaster and giant poisonous maggots), issues with the dangers of Artificial Intelligence (Global Chemicals is being run by a hypnotising computer obsessed with efficiency), globalisation (the Brigadier's original orders are to help Global Chemicals - they are global and have friends in high places), and corporate responsibility (the character Elgin sees many discrepancies with what his bosses are saying and wants to stop everything while the deaths are investigated, particularly when he discovers that they are indeed dumping their waste). All these issues are highly topical and relevant today. Even more so than in the 1970s, when this was aired.

Jumping to the end, I was struck by how heartbroken the Third Doctor was when Jo decided to stay with Professor Jones, get married and then travel up the Amazon. The image of him slipping out, climbing into Bessie and riving off into the night is very poignant. Even in his early days, losing his companions hurt.

All in all, I really loved this story. Next up I have another story from season 10 to watch. Carnival of Monsters, here I come!

SPOILERS: The Snowmen

So, the Doctor Who Christmas Special 2012 - also known as Moffatt Broke My Brain... Again!

I've only seen it twice, and it's already disappeared from ABC's iView, unfortunately. But oh my goodness, it was brilliant! Completely bonkers, but that is how I like my Doctor Who.

This was very much the Clara Show. It was probably always going to be like that, because it's her proper introduction after all. Well, so we thought.

The look of the show was fabulous. The Snowmen and the snowflakes were suitably creepy and the BBC always knows how to do Victorian London. The most magical moment was when Clara followed the Doctor and climbed the invisible wrought iron staircase through the clouds to where the TARDIS was parked. Pure fairytale.

Madame Vastra and Jenny were back, married by now, and full of snark. The scene where they interrogated Clara using the one word method was marvellous. Also, I love the idea of them being Conan Doyle's inspiration for Sherlock Holmes. Strax has been resurrected - even the Doctor isn't entirely sure how. He was very much relegated to comic relief, but Dan Starkey pulled it off beautifully. The scene where he was trying to get the memory work in order to wipe Clara's last hour was hilarious, even more so because Clara could see what was about to happy and also found it funny. She was definitely representing the audience at the moment.

The Doctor had done exactly what both River and Amy had warned him against and completely withdrawn. However, unlike Ten (who travelled on his own and got into trouble), Eleven has retired. He's picked a moment in history where he has friends to watch out for him, picked his cloud and retired. The only sign of the Ponds is Amy's reading glasses, now used by the Doctor. He's very reluctant to investigate anything until Clara comes up with the magic word. He then gets dragged into events because, really he never can resist a good mystery. The bow tie is back and he's off an running.

The chemistry between the Doctor and Clara is absolutely magnificent. He now has someone who can talk just as fast as he can. I pity my poor brain, trying to keep up with the banter for the rest of the season.

Clara. She's clearly a consummate actress, switching from low class barmaid to high class Mary Poppins with ease. And she definitely has the curiosity that all good companions need. Enough so that she chases after the Doctor no matter how many times he tries to get rid of her. She's smart, figuring out why the Doctor grabbed the umbrella. She's so good, that the Doctor gives her a key to the TARDIS straight off.

And then she dies.

Clara Oswin Oswald, born 23 November.

Souffle Girl.

Two different times. Two different places. Two different deaths. Echoes of personality and conversation.

The Doctor is definitely hooked.

She seems to be shattered through time and space, different shards of the same person interacting with the Doctor's time line. But how and why? Only Mr Moffat can tell us.

In the end, the villain and the plot didn't really make much of an impression on me (somewhat of a waste of the acting talents of Richard E Grant and Ian McKellan). I haven't seen enough of classic Who yet for the Great Intelligence to mean much to me. This was about Clara.

I suspect I'll be saying that a lot this year. I can't wait.

SPOILERS - The Angels Take Manhattan

Yes, I am at least 3 months late with this post. My excuse is the difficulty of watching the damned thing without crying. Today is the closest I've come to it and there were still tears at certain points where Murray Gold's music swelled. Damn you Murray!

So, the final farewell to the Ponds. As you can probably tell by all the crying, I loved it!

I know there were plot holes (The Statue of Liberty is not made of stone, and also, how could it not have been seen?), but I just don't care. This entire series 7a hasn't really been about plot. It's been about the emotional stories. The relationship between Amy and Rory. The relationship between the Ponds and the Doctor. The Doctor's guilt over the effect he has unintentionally had on people(his comments about the victims in A Town Called Mercy). The relationship between the Doctor and River in this episode.

Speaking of which, River was very interesting here. Now a Professor, out of prison because the Doctor doesn't exist any more, she musn't be too far away from the library. It was definitely an older, calmer, more mature River. It showed in the friction between them when the Doctor healed her wrist, only for her to slap him. Will we see her again? I suspect she will be at Trenzalore, but that may not be for a while. With Amy and Rory gone though, some of River's relevance is also gone.

Rory. Goddess, I'm going to miss Rory. I'm not all that attached to Amy. I don't hate her or anything, but she's not quite Donna. I adore Rory though, and his relationship with the Doctor was much different to most. Perhaps a somewhat more mature, adult relationship than what many other companions have had. He sees the Doctor's flaws and had to actually grow to like him rather than being awed by him right from the start. His first reaction to the TARDIS and his conversation with the Doctor at the end of The Girl Who Waited come to mind.

What else can I say about the episode, apart from the two 'death' scenes turned me into a complete wreck?

I did like the film noir style to it, and Amy playing pooh sticks amused me. Oh! I'm still competely terrified of the weeping angels. Goddammit those cherubs were fucking creepy with their freaky giggle. *shivers* Definitely the scariest part of the episode.

I guess that's it. The Ponds are gone and this blog post is finally done. Next up, either my trip to the Doctor Who Symphonic Spectacular or The Snowmen, depending on my mood.

Toodles.

The Three Doctors

So, after stalling on The Aztecs, I have continued my occaisional exploration of classic Doctor Who with... dum dum dum... The Three Doctors!

I figured that I hadn't yet seen any Jon Pertwee or Patrick Troughton, so why not do both at the same time! And I really enjoyed it.

I got to see the Brigadier and Jo Grant, both of whom I had only seen in the Sarah Jane Adventures befor this, which is not quite the same.

Dear Bod, I love Jo Grant! She's utterly adorable. Yes, okay, she can be a bit ditzy, but I don't really mind that. And she and Benton just made me squee in all the scenes they had together. I got all mushy.

I don't know enough about science to judge the possibility of the story (and black holes frankly scare the hell out of me), but I quite liked the story. It was light and fluffy-ish, but I like my Doctor Who like that.

I'm not entirely sure what else to say about it. It was a good intro to some Doctor's and companions that I had yet to come across (the Brig not being able to handle the concept of multiple Doctors was hilarious) and I enjoyed it.

Toodles!

SPOILERS - The Power of Three

Another good one from Chris Chibnall this week. The plot itself was a little light on, I must admit, but this was more a character piece than anything.

It was about how the Doctor relates to the real world, how he affects his companions and all the other people he comes into contact with. I was most touched by the character of Kate Stewart - Daughter of the Brigadier. I've never seen an episode with the Brig, apart from his turn on the Sarah Jane adventures, but I understand that he definitely viewed things from a military point of view. Yet, through meeting and working with the Doctor, he brought his daughter up saying that 'science leads'. Brilliant. This is the more traditional role for the character, rather than the angry, vengeful man that was in A Town Called Mercy, although I think both sides of him a perfectly valid.

While I'm discussing Kate, her gentle, dry sense of humour was fabulous."Yes, I've got officers trained in beheading, also, Ravens of Death."

Ravens of Death! Ha!

There was a lot of gentle reflections on Doctor Who's past in this. A reference to K9 and the conversation between the Doctor and Brian where the Doctor was forced to disclose the fates of previous companions. Of course, Brian is worried about Amy and Rory. But it is a much gentler worry than, say, Jackie Tyler. The forshadowing at the end was once again fairly obvious though. It's been happening all season, and I really think it could be subtler. We know Amy and Rory are leaving. We don't need a dramatic pause everytime it's referenced.

Another moment, that was very Doctor-ish and touching was his referring to humans as 'creatures of hope'. Even though the Human race can make him so angry sometimes, he still thinks we're amazing.

I didn't have any issues with the fate of the villains - as far as I can tell, not actual people were really killed. Even the alien was an 'automated interface'. But then, having a villain wasn't really the point.

I think all my other comments are random moments of amusement. The Doctor being disdainful of Twitter, the Doctor playing the Wii and being unable to keep still. Brian being the complete opposite and being happy to sit there, staring at the cube day after day. The Doctor's pathetic little 'run' before the explosion. I found Brian's sitting up like a startled rabbit on the trolley hilarious! A perfect bit of physical comedy by Mark Williams.

I think that's pretty much it. I suspect I may need tissues on hand next week...

SPOILERS: A Town Called Mercy

I’ve been holding off on this review for a bit, trying to sort out what exactly I think about it. I’m still not entirely sure, but maybe writing it out will help.

I certainly liked the episode, let’s make that clear. But something doesn’t feel right.

It’s entirely possible that it could just be me, I mean, September and I don’t get along, as a rule. Maybes it’s just the fact that A Town Called Mercy was a much more serious episode then even Asylum of the Daleks.

Here, we’re considering the very heart of the show. What kind of man is the Doctor?

I listen to podcasts and I read the occasional blog or facebook post. The general view of the Doctor seems to be that he will not kill. This is reinforced by moments such as in The End of Time, when Tenth Doctor is constantly refusing to take the gun that Wilf is pressing on him. There are definitely moments throughout the show where this crops up. But there are also moments when the Doctor has a choice to make, and that choice is not always the best one.

There is also the fact that the Doctor is somewhere around 1,200 years old. He has led a long, adventurous and sometimes violent life. He has destroyed the Dalek race (multiple times) not to mention his own race. He ensured the Pompeii eruption and sucked the Cybermen into the void. He’s watched the Master subjugate the earth and countless other enemies kill people that he cares about.

And he never responds well to travelling alone, something Donna notices the first she meets him in The Runaway Bride.

There are interesting parallels to Captain Jack Harkness in Children of earth, where it is revealed that half way through his century long wait for the Doctor, just didn’t care anymore and gave up 13 children on orders. Jack is another immortal. Perhaps it is simply the fact that by living so long, a person is always going to have moments where everything becomes too much.

I don’t know if I’m making any sense, so I’m going to stop.